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1. Druk (2020) Movie as an Example of Authentic Way of Being: A Heideggerian Approach

Author:
Meltem İşler Sevindi and Atilla Akalın
Publication Date:
04-2023
Content Type:
Journal Article
Journal:
Journal of Academic Inquiries
Institution:
Sakarya University (SAU)
Abstract:
Heidegger's philosophical project is generally seen as atheoretical and anti-logical because he remarked on the subjective conditions of knowledge and the everydayness of human behaviors. To him, Dasein's everyday reasoning is coercively and inevitably framed by the present-at-hand modes of understanding. Heidegger alerts us about the possible origins of present-at-hand modes of everyday experience. One of them is Das Man that, is associated with a categorical otherness for Heidegger. It can be regarded as an origin of the primordial scheme of experiences for Dasein that takes those experiences for granted as an axiological ground for their lives in the World. Heidegger sees that process as an inauthentic condition for Dasein's fundamental character. Everyday reasoning generates a variety of present-at-hand instruments to understand and interpret the World and Dasein itself; thus, Dasein moves between Das Man and authentic modes. With a Heideggerian approach, this article observes how the characters in the film Druk take themselves out of Das Man and go into the authentic mode and how they do this through alcohol. The primary data source is Druk and the four teacher characters in the film. In the movie, alcohol is not a ready-to-hand object but a tool motivating its users and pushing them to perform. It is an example equivalent to the Heideggerian analogy of the hammer. The movie is a well-fitting example of the Heideggerian position with the story of four teachers who experiment with having a certain amount of alcohol in their blood to achieve a better version of themselves.
Topic:
Film, Philosophy, Alcohol, and Martin Heidegger
Political Geography:
Global Focus

2. Archives of Solidarity: Yugoslav Newsreels and the Non-Aligned World

Publication Date:
11-2021
Content Type:
Video
Institution:
The Harriman Institute
Abstract:
Please join the Njegoš Endowment for Serbian Language and Culture at the East Central European Center for a lecture by the award-winning director and film scholar Mila Turajlić. Moderated by Aleksandar Bošković and Christopher Caes, co-directors of the East Central European Center. Mila Turajlić is an award-winning director born in Belgrade, Yugoslavia. Her films have screened at numerous festivals including Toronto and Tribeca, and have been released theatrically in Europe, North America and across the former Yugoslavia. Her most recent film The Other Side of Everything (2017) was HBO Europe’s first co-production with Serbia. It won 32 awards including the IDFA Award for Best Documentary Film, the Grand Prix for Best historical documentary released in France in 2018, the IDA Award for Best Writing and was nominated for the LUX Prize the European Parliament. Turajlić's debut feature doc, Cinema Komunisto (2011) played at over 100 festivals and won 16 awards including the Gold Hugo and the FOCAL Award for Creative Use of Archival Footage. Turajlić is currently in post-production on her third feature film, The Labudović Reels, an archival road trip through the archives of African liberation movements of the 50’s and 60’s filmed by Stevan Labudović, the cameraman of Yugoslav President Tito. In her work with archives, Turajlić researches the intersection of personal and national memories, seeking to reactivate forgotten histories, through forms ranging from lecture performances and video art to analytical essays. She teaches documentary and creative use of archives at Sciences Po and INASup in Paris, as well as at a documentary programs run by the Balkan Documentary Center, and Scottish Documentary Institute.
Topic:
Media, Film, and State Media
Political Geography:
Europe

3. Mapping Palestine/Israel through Interactive Documentary

Author:
Dale Hudson
Publication Date:
01-2021
Content Type:
Journal Article
Journal:
Journal of Palestine Studies
Institution:
Institute for Palestine Studies
Abstract:
Available on publicly accessible websites, interactive documentaries are typically free to use, allowing audiences to navigate through amounts of information too large for standard film or television documentaries. Media literacy, however, is needed to understand the ways that interactive documentaries reveal or conceal their power to narrate. Examining ARTE France’s Gaza Sderot (2008–9), Zochrot’s iNakba (2014), and Dorit Naaman’s Jerusalem, We Are Here (2016), this article discusses documentaries that prompt audiences to reflect upon asymmetries in the power to forget history and the responsibility to remember it by mapping Palestinian geographies that have been rendered invisible. Since media ecologies are increasingly militarized, particularly in Palestine/Israel, interactive documentaries like iNakba and Jerusalem, We Are Here can disrupt Israeli state branding as technologically innovative while minimizing risk of surveillance by avoiding the use of location-aware technologies that transform interaction into tracking.
Topic:
Science and Technology, Communications, Media, Film, and Conflict
Political Geography:
Israel, Palestine, and Jerusalem

4. Raising the Alarm: Climate Activism in North Africa

Author:
Moussa Sall, Intissar Fakir, Hajar Khamlichi, Thowaba Ben Slema, and Houssem Hamdi
Publication Date:
04-2021
Content Type:
Video
Institution:
Middle East Institute (MEI)
Abstract:
Across the MENA region, civil society plays a key role in putting climate on the agenda for governments and the private sector. How are activists and advocates in North Africa building momentum in their communities and globally to address climate change? How can social media, film, and art bridge gaps and create a global demand for greater sustainability? Intissar Fakir will be joined in conversation with leading figures in the fight for climate action in North Africa.
Topic:
Civil Society, Climate Change, Arts, Social Media, Film, and Sustainability
Political Geography:
Middle East and North Africa

5. Vietnamese Representation, Queerness, Nostalgia in Leon Le's Song Lang

Author:
Leon Le, Ronald Gregg, Takuya Tsunoda, Ying Qian, and John Phan
Publication Date:
04-2021
Content Type:
Video
Institution:
Weatherhead East Asian Institute, Columbia University
Abstract:
LGBTQ representation in Vietnamese film—itself only a recently burgeoning artform and industry—has hitherto been virtually nonexistent. And yet, the film industry in Vietnam has experienced a meteoric development over the past fifteen years or so—overlapping almost precisely, with a rapid and dramatic transformation in social attitudes towards sexuality, and especially same-sex relationships. While LGBTQ relationships and identities have always been a part of Vietnamese culture over long centuries of development, the past fifteen years have witnessed a turn towards explicit embrace, as well as a broadening concept of sexuality and relationship, beyond simple and strict notions of homo-versus heterosexuality. This broadening has included the representation of deeply emotive same-sex relationships that have less to do with sexual liberation than they have to do with the revival and/or reconsideration of a diversity of emotional relationships that occur between members of the same sex—including the erotic and romantic. Leon Le’s Song Lang stands at the forefront of this movement. Filmed entirely in Vietnam, Song Lang focuses on the relationship between a local gangster and an actor in a Cai Luong ‘reform opera’ troupe under the control of the gang. The film has been praised not only for its rich visual vocabulary, sense of tone and atmosphere, homage to the artform of Cai Luong opera, and uniquely nostalgic look at 1980s Saigon, but also for its sensitive and moving expression of a relationship between two that defies social categorization. Writer/Director Leon Le emigrated to the US at the age of 13, and after making a name for himself as an actor in New York’s musical theater scene, has gone on to become an award-winning director. His two previous films, Dawn (2013) and My Mother (2014) both earned him multiple awards, including Best Short Film for Dawn (VIFFI), Best Director for Dawn (YXINEFF), Best Director and Best Actor for My Mother, and Best LGBT Short Film (YXINEFF) for both Dawn and My Mother. Please note that a few minutes are missing from the introduction of the event.
Topic:
Arts, Film, Representation, LGBT+, and Nostalgia
Political Geography:
Vietnam and Southeast Asia